Notes on the Troubleshooting and Repair of Optical Disc Players and Optical Data Storage Drives

Contents:

[Document Version: 1.19] [Last Updated: 05/25/1998]


Chapter 1) About the Author & Copyright

Notes on the Troubleshooting and Repair of Optical Disc Players and Optical Data Storage Drives

Author: Samuel M. Goldwasser
Corrections/suggestions: | Email

Copyright (c) 1994, 1995, 1996, 1997, 1998
All Rights Reserved

Reproduction of this document in whole or in part is permitted if both of the following conditions are satisfied:

  1. This notice is included in its entirety at the beginning.
  2. There is no charge except to cover the costs of copying.



Chapter 2) Introduction



  2.1) Scope of this document


While compact disc (CD) players and CDROM drives account for the vast majority
of optical disc platforms in the known universe, there are other types in use
for both entertainment and data storage applications.  These include:

* LD - LaserDisc - various forms of storage of feature length movies,
  instructional programs, and interactive video games on (usually) 12 inch
  single or double sided discs.

* MD - MiniDisc - Sony's attempt at converting everyone from analog cassette
  tape to optical digital record/play technology.  Data storage versions also
  available.

* DVD - Digital Versatile (or Video) Disc - Super hyped next generation in
  video and data storage.  This *will* replace CDROM but how much further
  it goes remains to be seen.

* WORM - Write Once Read Mostly drives - Older optical data storage storage
  technology using a media that may be written but which may not be erased
  and rewritten.

* CD-R - Recordable CD.  A special case of WORM technology using the CD format
  which may be played or read in normal CD equipment.  The CD-R writers are
  coming down in price and becoming much more common.

* MO - Magneto optical disk drives - various incompatible or marginally
  compatible forms of high capacity read/write storage on optical platters,
  usually in either 3-1/2" or 5-1/4" form factors, single and double sided.

These all use optical technology very similar to that of the compact disc
and CDROM.  Thus, most problems with these cousins of the CD will be similar.
See the document: "Notes on the Troubleshooting and Repair of Compact Disc Players and CDROM Drives" for an introduction to the basic technology, general
maintenance procedures, and diagnosis of most common problems.  This document
addresses those aspects of the technology and repair that are unique to each
of these other formats.  Problems with Sony PlayStation PSX (and similar)
CDROM-like game machines are covered there as well.

Once CD (and DVD) rewritable technology becomes more popular (and lower in
price), these will be added.  I current have little information on this
equipment.

Contributions are always welcome as you will note that there really isn't that
much specific information at the present time on anything other than LaserDisk
players and even this is sparse.  I don't expect that much interest in or
offers of CD-R, WORM, or MO repair information.  However, MiniDisc has some
sort of a following and we are destined to be inundated with DVD problems in
the near future as they replace CDs as the equipment of choice.  I am still
waiting to see the inside of a DVD player - working or otherwise :-).


  2.2) For more information on CD and optical disc technology


A Fundamental Introduction to the Compact Disc Player is a somewhat more
theoretical discussion of compact disc audio technology with diagrams and
even some equations.  If it doesn't put you to sleep, you will find quite a
bit of interesting information in this article.  In either case, it may prove
of value.

Andy Poggio's relatively short article: From Plastic Pits to "Fantasia"
provides a nice overview of CD technology.

Philips has a nice Web site which contains a great deal of useful information
on CD, laserdisc, and other related topics.  Philips and Sony developed the
original CD audio specifications and much of the optical disk technology, so
they should know what they are talking about!  A few of the links are:

  • Philips New Technologies.
  • Philips CD Audio.
  • Philips Optical Disc.
  • Philips Laseroptics. A site with CD-R specific information including some repair tips is:
  • Rictee's CD-R Page. An extensive amount of information on other optical disc/k technologies with many useful links can be found at:
  • Leopold's LaserDisc Page.
  • The MiniDisc Page.
  • The DVD Page.
  • DVD Central at E/Town.

  •   2.3) SAFETY

    
    In addition to the usual safety precautions outlined in the document: "Safety Guidelines for High Voltage and/or Line Powered Equipment", some of this
    equipment has the added risk of vision damage from the higher power lasers
    that may be used for disk writers or recorders.
    
    This isn't that much of a problem with LaserDisk players since the laser power
    is likely (but not guaranteed!) to be similar to that of a CD player where
    relatively minimal precautions are adequate.
    
    However, for the technologies which can record or write on an optical disk,
    the laser power may be much higher and instant irreversible damage to vision
    is quite possible.  Furthermore, these are almost always IR (infra-red) lasers
    which are for all intents and purposes, invisible.  Proper precautions are
    essential and laser-blocking goggles are definitely recommended whenever
    the unit is powered without a laser shield in place.  Once you damage both of
    your original equipment eyesballs, you don't receive any replacements (even if
    they are still under warranty - read the fine print of your contract)!
    
    


      2.4) General safety precautions

    
    While there are fewer potential dangers involved in servicing an LD player or
    MO drive compared to a TV, monitor, or microwave oven, precautions are still
    required when working with the cover removed.  These relate to electrical
    connections to the AC line, getting caught in the mechanisms, and exposure to
    the laser beam:
    
    * Electrical: There may be a few exposed electrically live parts from the
      power line, usually around the power cord entrance, power transformer,
      and on/off switch.  If there are, tape them over or cover them somehow
      so you need not be concerned with a low tech shock!  Unless you are
      troubleshooting a primary side power supply problem, there will be no
      need to go near the AC line.
    
      Some equipment such as LaserDisc players may use switching power supplies
      with their own set of problems.  Internal drives may include their own DC-DC
      converters as well (which are not particularly dangerous but can be easily
      damaged through the careless slip of a probe).  In these case, see the
      document: "Notes on the Troubleshooting and Repair of Switchmode Power
      Supplies" for more information.
    
      Where an older LaserDisc player uses a helium neon laser, there will be a
      high voltage power supply for the HeNe laser tube.  While this is probably
      not powerful enough to kill you, a reflex action from touching the wrong
      terminal can result in collateral damage like ripped flesh from sharp sheet
      metal parts.  These terminals are usually clearly marked and insulated but
      make a note of their location to be safe and add several layers of plastic
      electrical tape if they are exposed.
    
    * Mechanical:  Some of this equipment including LaserDisc players and higher
      performance optical drives spin relatively heavy (at least compared to a CD)
      platters at 3,600 RPM or more.  The motors are larger and you really do not
      want to catch your tie in one of these (yes, I know, you don't wear a tie!).
    
    * Laser:  A variety of types of lasers are used in this equipment.  It may be
      a diode type - either visible or IR, or in older LaserDisc equipment, a low
      power helium neon tube.
    
      - Low power (Class II, less than 1 mW at the lens) - This power level is
        typically used for the play-only or read-only equipment (CD, LD) or when
        in play or read mode for equipment that can write or record (MD, CD-R,
        WORM, MO).
    
      - Medium power (Class IIIa, 1 to 5 mW at the lens) - This power level may
        be used for recording or writing in a CD-R, MD, or MO device.
     
      - Medium power (Class IIIb, 5 to 30 mW or more at the lens) - This power
        level may be found in a CD-R or WORM drive in write mode.
    
      ALL THE HIGHER POWER LASERS ARE LIKELY TO BE IR AND INVISIBLE!  You won't
      be able to see a bright beam you can avoid!  The laser in all these devices
      is infra red, near IR - around 780 nm - border of visible range but for all
      intents and purposes invisible.  While the laser is supposed to be set to
      low power for playing or reading POWER CIRCUITS CAN FAIL!  Don't take any
      chances.
    
      With a visible beam, it is easier to avoid exposure and LD and DVD players
      use low power lasers anyhow.  Reflections at these power levels are not
      strong enough to be a serious hazard.  This will change eventually as DVD
      recorders and writers using higher power visible lasers are introduced.
      As a comparison, these will likely be similar in power level (5 mW) to the
      brightest laser pointers currently on the market and are a definite risk to
      vision at close range.  Still, being visible, it is easy to avoid direct
      exposure.
    
      However, for an IR laser producing an invisible beam, there is no way to
      reliably avoid the beam visually.  With the optics intact (no damage to the
      pickup and none of the covers on the pickup removed) and a disk in place on
      the spindle or the lens covered with black tape (no holes!), it should be
      safe to work at a reasonable distance.  Don't put one of your eyeballs up to
      the optical block - there could always be a light leak!  Proper IR blocking
      goggles would definitely be a good idea where exposure to these higher power
      lasers is possible.
    
      CAUTION: there is usually a very low intensity (in appearance) emission
      from an IR laser which appears deep red.  It will be visible as a spot the
      size of the period at the end of this sentence when the lens is viewed from
      an oblique angle.  This may be a spurious emission in the red part of the
      spectrum or just your eye's response to the near IR energy of the main beam.
      In either case, do not be mislead into thinking that the laser is weak as a
      result of noticing this.  The main beam is up to 10,000 times more intense
      than it appears!  Take care.  However, the red dot is an indication that the
      laser is being powered and probably functional, though it is no guarantee of
      the later.  You really need a laser power meter or at least an IR detector
      to confirm the existence of an IR laser beam.
    
    


    Chapter 3) Technology Specific Principles of Operation

    
    


      3.1) LaserDisc (LD) Players

    
    This is actually the oldest of the optical disc technologies to be introduced
    to the consumer market.  In fact, most of its applications are for analog
    video storage - feature length movies and interactive learning tools and
    video games.
    
    In terms of performance, video quality from the Laserdisc medium can be far
    superior to even SVHS and SuperBeta when viewed on a correspondingly high
    quality TV/monitor.  Like a CD and unlike tape, access to any scene or even
    frame is nearly instantaneous.  This is definitely a significant advantage for
    the casual viewer.  However, it is the enabling technology for interactive
    learning and games.  With over 65,000 individual frames on a side, this is
    a potentially very powerful way to present information as combinations of
    stills and moving segments and permit context dependent control of access
    or video action.
    
    High-end video enthusiasts swear by Laserdisc technology but this medium
    never caught on due to its relatively high cost of both the equipment and
    the software (movies), limited rental availability, and because it is a
    play-only media.  In addition, the capacity (NTSC) of a single LaserDisc is
    around 1 hour total on both sides requiring frequent disc changes even if the
    player has dual laser pickups.
    
    The basic eletro-optical mechanism is similar to that of a CD including the
    techniques used for beam generation, focusing, and tracking.  However:
    
    * Older units may use a helium neon laser instead of laser diode for the light
      source.  All newer LD players use laser diodes similar to those found in
      CD players.
    
    * There will likely be an additional servo for pickup tilt to assure that the
      laser beam is perfectly perpendicular to the disc surface.  Since the
      information is analog, this is needed to minimize crosstalk between tracks.
    
    * Most mechanical components will be larger and much more robust since spindle
      speeds can reach 3,600 RPM with the large mass of a 12 inch platter.
    
    * Both CLV (Constant Linear Velocity) and CAV (Constant Angular Velocity)
      encoding has been used and both may be supported on one player.
    
    * Most LD players also will play audio CDs so testing with this less demanding
      medium is a good way to determine if the basic optics and electronics are in
      working order.
    
    (From: Mark Zenier (mzenier@netcom.com)).
    
    The original version is covered in The "Television Engineering Handbook"
    edited by Benson from McGraw-Hill, 1986.  Don't know about the newer version
    with digital sound.  (Or what the newer edition of the book covers, either).
    
    It's an analog FM system at 8 MHz that records the composite signal, with two
    FM audio carriers at 2.3 and 2.8 MHz.
    
    


      3.2) So what about the RCA "CED" video player?

    
    CED stood for something like "Capacitive Electronic Disc" probably with a
    "Selectavision" label.
    
    It is NOT related to LaserDisc technology and does not use an optical pickup.
    
    If you found one of these, you have a classic dinosaur!  The CED system was
    something RCA spent $200-300 million to develop about the same time that
    LaserDisc technology was being perfected.  Guess which won!
    
    And, this was shortly after the same company spent a similar vast amount of
    money on another consumer electronics dud.  It was also named Selectavision if
    I recall correctly and used optical scanning of 4 mm (??) movie film.
    
    CED uses a capacitive contact sensor 'sled' running in a grooved disc.
    
    The pickup actually rides on the disc like the stylus on a phonograph record.
    The sensor detects minute changes in the capacitance between the tip of the
    pickup and the metallized surface of the disc embossed with millions of tiny
    bumps and valleys.
    
    This really isn't that bad - the system DID work but suffered from some of the
    same problems as records - wear, critical tracking requirements, etc.
    
    If you are trying to resurrect a CED player, you better have the discs you
    want because they will not be available at your neighborhood video store!
    
    Since it is more than 15 years old, there can be any number of problems with
    the equipment just from age and non-use.  These are likely to be both
    mechanical (gummed up grease, dirt), and electronic (dried up electrolytic
    capacitors in the power supply, bad connections, etc.).
    
    However, chances are good that it wasn't actually broken to begin with since
    consumers likely gave up on this technology before it actually failed - there
    just wasn't enough movies/programming available.
    
    Start by checking the obvious, reseating all connectors, testing power supply
    voltages and for ripple, etc.
    
    It certainly would be cool to get working.
    
    


      3.3) Minidisc (MD) recorders/players

    
    The MiniDisc cartridge looks somewhat like a small (2-1/2") version of a
    3-1/2" computer diskette.  Both players (around) $400 and player/recorders
    (around $700) have been introduced with disappointing sales.  Not enough
    prerecorded material was available and the prices were too high to lure
    people away from the convenience, low cost, and limitless variety of the
    audio cassette medium.
    
    MDs may be pressed like CDs with the information encoded in pits and lands.
    This is the way prerecorded play-only MiniDiscs are made.
    
    For recording, the MiniDisc technology uses a higher power laser beam (upped
    to 5 mW at the disc surface) to heat a magneto-optically active coating to
    above its cure point (where magnetization is lost).  A writing coil in close
    proximity to the back of the Minidisc is used to switch the magnetic field
    polarity (N or S) of the coating as it cools.  Thus, the laser beam may be
    thought of as 'softening up' the magnetic material but the actual writing is
    by the coil.  This is not the same way most other writable magneto optical
    drives are implemented.  See the sections: "WORM Drives" and "Magneto optical
    drives" for more details on these other media.
    
    For playback of this magneto-optical (MO) recording, the pickup uses what is
    known as the 'magneto-optic Kerr effect'.  When a polarized laser beam is
    reflected from the disc coating, its polarization orientation is rotated
    slightly depending on the magnetic field polarity (N or S).  This rotation
    is small (about 1%) but enough to permit detection.  However, since it is
    so small, it isn't surprising that there can be problems with the optics and
    front-end electronics for MO readback.
    
    Thus, the MiniDisc pickup and front-end operates in three modes: spatial (pits
    and lands) read, MO read, and MO write.
    
    The basic mechanism and optical pickup is similar to that of a CD including
    the techniques used for beam generation, focusing, and tracking.  However:
    
    * Additional components will be present to detect the magneto-optic Kerr
      effect for playback of MO recordings.
    
    * The laser can be switched between low and high power (as well as off).
      However, this is not a particularly high speed change as the modulation is
      done by the external magnetic field coil.  WARNING: IR, invisible, 5 mW at
      the lens is enough power to be a significant risk to vision.
    
    * The magnetic field coil will be found directly opposite the lens (and thus it
      may block any access to the lens unless it is removed for servicing.
    
    * Extensive information compression techniques are used to enable roughly the
      same amount of audio to be stored on a MiniDisc with about 1/5th the surface
      area of a CD.  For data storage, this is not usually possible so an MD may
      hold 'only' 125 MB or so of computer information.
    
    


      3.4) Digital Versatile (or Video) Disc (DVD)

    
    The DVD is destined to replace the CD as *the* optical medium of choice in
    the near future.  This will happen if for no other reason than manufacturers
    will stop producing CD players (since DVD players will be able to read CDs).
    
    The basic components are very similar and thus cost of manufacture will be
    similar.  So, why produce old fashioned equipment?
    
    The DVD permits storage of up to 4.5 GB per information layer with up to 2 of
    these on each side (one under the other) for a total of 18 GB if fully
    implemented.  This means (per layer):
    
    * 8 hours of CD quality audio.
    
    * 2 hours of MPEG-II compressed LaserDisc equivalent video (Note: there is
      much debate as to the actual level of quality but we won't get into that
      here).
    
    * Multilingual sound tracks.
    
    * Any mixture of these.
    
    The 8-fold increase in storage capacity per layer is accomplished through a
    number of incremental enhancements to the basic CD technology including:
    
    * Use of a 635 to 650 nm red-orange laser diode instead of a 780 nm IR laser
      diode.
    
    * A higher quality (actually higher NA) optical system permitting a smaller
      spot on the disc.
    
    This permits:
    
    * Closer track spacing on the disc (.8 um instead of 1.6 um).
    
    * Higher CLV bit density.
    
    For readout on both sides of a dual-sided DVD, dual optical pickups can be
    used where the user is willing to pay for this significant added expense!
    
    From a marketing perspective, it is essential for DVD equipment to support
    the CD format.  However, since DVDs and CDs differ in terms of feature size,
    track spacing, thickness, and so forth, it would not be very effective to
    simply shine the DVD pickup at a CD!  Either of two approaches may be taken:
    
    * Include dual optical pickups.  This is probably the best way to assure
      total compatibility but is obviously an expensive solution.
    
    * Provide optics that may be switched into the beam path to 'simulate' a CD
      pickup.  The shorter 635 to 650 wavelength light is still used in both cases
      but the beam width and focus are adjusted with an intermediate lens or
      holographically generated compensator.
    
    


      3.5) Will DVD be the killer format?

    
    There has been and will continue to be a lot of hype with respect to the
    incredible advantages of the Digital Video (Versatile) Disc for everything
    from computer multimedia to HDTV.
    
    Here is my take.  My track record isn't great on predicting the future as my
    crystal ball has been broken for a long time, so don't buy or sell shares
    in any company based on these comments!
    
    DVD will do very well for data storage since due to its much higher capacity
    compared to CDROMs (5 to 20 GB versus .64 GB), it will serve an important
    purpose in the increasingly interactive applications and games to come.
    
    Full size DVD will be overkill for many audio applications.  At the normal CD
    audio sampling rate of 44.1 K/second, the smaller DVD format will hold over 8
    hours of music.  Whether people will be willing to pay the expected price for
    a DVD with several hours of music is questionable.  There certainly will be
    many good reasons to do this - full concerts or operas on a single disc, for
    example. I would expect the average total length of normal musical DVDs to
    increase beyond what is typical of CDs as well.
    
    However, mini-DVDs are possible.  A 3-1/2" format would hold about 1/3 as
    much as a full size DVD or over 2 hours of music.  This or an even smaller
    format would be ideal for discman applications.
     
    What about multilinqual sound tracks?  Sure, this capability may save money
    by requiring pressing of only one disc to support multiple markets.  But,
    few people will have a need to pay for this.
    
    There are no doubt all sorts of applications that have not been identified
    yet for which the DVD is ideal.  However, the hopes of the industry are pegged
    to DVD's success for video - in part, to replace the consumer (VHS) VCR.
    Unfortunately, It is here where I believe DVD has its greatest weaknesses.
    
    Many of the specifications have been developed tailored to today's video
    standards, not HDTV.  The DVD is supposed to be superior to both VHS VCR and
    laserdisc formats.  However, this is in comparison to standards (NTSC and PAL)
    that are close to celebrating their 50th birthday.  Even the quality advantages
    are questionable as so much depends on the MPEG-2 encoding used to compress the
    vast amount of video information onto the DVD.
    
    Video tape and laserdiscs do not care what is recorded on them - they are
    equally good or equally poor for static scenes as well as explosive action
    shots.  This is not true of DVDs.  Complex images and rapid scene chances
    require more bits to minimize artifacts.  And, the types of artifacts that
    are introduced are not those one expects from poor reception or bad tapes.
    It will take a great deal of effort on the part of the companies who will
    be converting original movies and other source material to the DVD to do
    justice to the format.  It may simply be impossible for certain action
    sequences.  The result may be 'pixelation' or momentary blockiness, erratic
    motion, momentary freezes, and so forth - not just slight fuzziness or snow.
    It is not known how the general viewer will accept these.  Developers of source
    material will not be free to put in whatever they desire.  The medium may
    break down when presented with too much fast complex action or rapid scene
    changes.
    
    The situation gets even murkier for HDTV where the required amounts of data
    and data transfer rates increase dramatically.  Depending on HDTV format,
    this could be anywhere from 2:1 or 8:1 - or more.  If the DVD is marginal now,
    what does this say for HDTV?
    
    Initially, DVD will not have record capability.  Thus, there will be no
    compelling reason to switch over and throw out your VCR especially if the
    quality isn't dramatically better.  The majority of consumers don't care
    that much about picture quality anyhow.  Beta, S-VHS, and laserdisc, all have
    substantially better picture quality than normal VHS and NTSC broadcasts.
    It has not mattered due to various usability issues and marketing stupidity.
    The critical mass was never reached with respect to availability of source
    or rental tapes or discs.  Thus, these have been relegated to niche markets
    and niche markets don't drive the industry.
    
    Will DVDs turn into yet another Edsel, Selectavision, or Betamax?  Only time
    will tell but the industry must make a deliberate effort to assure the quality
    of the initial releases or else DVD's future as a video media will be sealed
    before it gets off the ground even if the technology there.
    
    


      3.6) DVD FAQ?

    
    Well one, at least:
    
    * http://www.videodiscovery.com/vdyweb/dvd/dvdfaq.html   (alt.video.dvd FAQ)
    
    


      3.7) WORM drives

    
    A large number of technologies have been introduced to provide storage of
    large amounts of information on optical platters with varying degrees of
    flexibility.
    
    The earliest were called WORM (Write Once Read Mostly) drives.  Writing
    resulted in an irreversible change in an information layer.  Thus, data could
    be written but not erased and rewritten (though just erasing a block might be
    possible).  Heating with the writing laser beam resulted in damage (ablating)
    of a coating.  Reading is similar to that used for CDs and other optical
    technologies.
    
    Typical capacity was 650 MB per side.  Disks could be one sided or two sided.
    
    This is somewhat similar to the technology used in CD-R drives though many
    variations have been developed which vary mostly in the details.
    
    Unlike CDs, MDs, and LDs, these optical discs are formatted more like hard
    drives or diskettes with circular (not spiral) tracks and fixed sectors - some
    of which are visible to the naked eye since they are physically etched on the
    disk itself.
    
    The laser power for WORM drives is typically higher than for read-only drives
    when in writing mode - likely in the 10s of mW range.  30 mW is one number I
    have heard.  Modern drives all use IR emitting laser diodes.
    
    The basic mechanism and optical pickup is similar to that of a CD including the
    techniques used for beam generation, focusing, and tracking.  However:
    
    * These usually spin at high speed - 3,600 RPM typical - so spindle motors and
      other mechanical components are more robust.
    
    * Laser power can be switched between a fraction of a mW for reading and high
      power for writing (in addition to off).  WARNING: IR, invisible, Class IIIB,
      dangerous!
    
    


      3.8) Magneto-optical drives

    
    Most modern optical drives use magneto-optical techniques in some ways similar
    to the MiniDisc.  However, unlike the MD, the laser beam is switched at high
    speed to alter the magnetic properties of the coating and a write cycle is
    usually a two step process:
    
    1. Energize the bias coil with the '0' polarity (e.g., N).
    
    2. Erase a block by turning on the laser as that area of the disk passes under
       the pickup.
    
    3. Reverse the polarity of the bias field to that of a '1' (e.g., S).
    
    4. On the next revolution, write the information by selectively heating only
       those regions destined to become '1's in the stored pattern.
    
    The laser power for MO drives is typically higher than for read-only drives
    and likely in the 10s of mW range.  Modern drives all use IR emitting laser
    diodes.
    
    The media is usually enclosed in a cartridge for protection with a door that
    opens automatically when inserted into the drive.  Capacity is typically
    650 MB per side for a 5-1/4" disk.
    
    * Additional components will be present to detect the magneto-optic Kerr
      effect for playback of MO recordings.
    
    * These usually spin at high speed - 3,600 RPM typical - so spindle motors and
      other mechanical components are more robust.
    
    * Laser power can be switched between a fraction of a mW for reading and high
      power for writing (in addition to off).  WARNING: IR, invisible, Class IIIB,
      dangerous!
    
    * The bias coil is opposite the lens and may block access for servicing unless
      removed.
    
    


      3.9) CD-R Recorders/Players

    
    These use media that is the same size as the CD but can be written once and
    is then read-only like the WORM disk.  In many ways, this technology is similar
    to WORM except that the format is a spiral track like that of a CD rather
    than circular tracks and sectors like other optical disk formats or hard
    and diskette drives.
    
    Although CD-R started out being quite expensive (greater than $10,000 for a
    recorder), it really was designed as an inexpensive technology and to have
    total compatibility for reading with CDs and CDROMs.  Current prices for
    multispin (2X, 4X) CD-R recorders are under $500 and dropping.  The capacity
    of a CD-R is the same as a CD - about 650 MB.
    
    Like the WORM drive, a higher power laser ablates a coating inside the CD-R
    media.  With most, this is a blue-green polymer dye backed by a gold coating.
    Otherwise, construction of the CD and CD-R media are similar.
    
    However, since the pits and lands are not as precisely formed as those of a
    pressed CD whose master was made on a $250,000 laser cutting lath, some CD
    players or CDROM drives may have tracking or other problems with CD-Rs.
    
    CD-R recorders and high performance CDROM drives are very similar except:
    
    * The laser in a CD-R recorder can be switched to higher power mode and
      modulated for writing.  WARNING: IR, invisible, enough power to be a
      significant risk to vision.
    
    * Tracking may need to be more robust as before the disk is recorded, there is
      only a guide groove rather than the pits and lands of a normal CD.
    
    * Servo electronics must be more complex to control disk speed for recording.
    
    


      3.10) HP 4020i/Philips CDD2000 Spring Fix for Write Append Errors

    
    (From: Rick Richardson (rick@dgii.com)).
    
    Here is the fix I applied to my two year old HP 4020i CD-R recorder when I
    started to get Write Append errors when writing CD's larger than about 550
    MBs.
    
    I got a tip that this problem was due to a "spring" wearing out or of
    insufficient strength from David Neal on the cdwrite@pixar.com mailing list
    (Unix CD-R software mailing list).
    
    Armed with this clue, I searched DejaNews on the subject of CDD2000 & Spring.
    Here I found basically two theories for the problem - the spring theory and
    another one that said it is dust on the laser lens that needs to be blown off
    with compressed air (*not* wiped).
    
    Since my HP 4020i drive is over two years old, I figured I had nothing to lose
    by opening it up and seeing if I couldn't apply the "spring fix".  Also, at
    the same time I blew off the laser lens with compressed air.
    
    After applying the "spring fix" and blowing the lens with air, the drive now
    works 100% again.  I cannot say with confidence which of the these actually
    fixed the drive.
    
    I attach the approximate procedure I used for applying the "spring fix" below.
    I disclaim any responsibility for the correctness or incorrectness of this
    fix.  Apply the fix will void your warranty.  You should not attempt the fix
    unless you have the proper tools and ability.
    
    Tools Needed:
    
    * Torx T-10 screwdriver
    
    * Torx T-? screwdriver (even smaller than above).  I did not have this small a
      Torx screwdriver, so I used a regular slotted screwdriver with about a 1/8"
      blade from a jewelers screwdriver kit.  I was able to wedge the slotted
      screwdriver into two of the Torx slots and get enough friction to remove the
      screws
    
    * Very very small philips screwdriver.  Again, I did not have this size
      screwdriver, but was able to use another of the slotted screwdrivers from a
      jewelers kit.  (A jeweler's screwdriver set with Philips types will probably
      have the correct size. --- sam)
    
    * Two pair of small needle nosed pliers.
    
    * Pair of dikes (cutters) used for electronic work
    
    Parts Needed:
    
    * About 1.25" long straight but springy wire.  I found a suitable wire in an
      old 5.25" floppy drive that was used to apply pressure to the spindle.
    
    Skills Needed:
    
    * Good eye-hand coordination.
    
    * Good eyesight.
    
    * Steady hands.
    
    * Patience.
    
    The first step is to remove the case.  Remove two screws with the T-10
    screwdriver and four screws with the T-? screwdriver.  Remove metal case.
    Gently release the top circuit board from two plastic alignment posts -- this
    may require gradual rocking of the circuit board but do not stress the circuit
    board as it is very thin.
    
    The next step is to remove the main circuit board by disconnecting three
    ribbon cables and two sets of two pin connectors.  The larger ribbon cables
    are released by moving two pieces of plastic at each end of the cable
    connector away from the connector body by about 1/8".  The cables should then
    easily slide out of the connector.  The smaller cable has a slightly different
    release mechanism, but again just move it about 1/8" away from the connector
    body.  Slowly rock the two pin cables from their sockets.
    
    You should now be able to see 4 more T-10 screws.  Remove these to free the
    drive mechanism from the other part of the metal case.
    
    The next step is to remove the smaller circuit board on the laser transport
    assembly.  Remove 4 philips head screws.  Pull the board up and lay it over -
    you will not be able to fully remove the board because two wires are soldered
    to the motor.
    
    If you look at the transport now, you will see a worm gear which drives a
    regular gear which drives a rack gear.  The rack gear is spring loaded to
    press up against the regular gear.  According to theory, the spring which
    causes this pressure is worn out and/or not designed to be strong enough.
    
    The spring itself is a straight length of springy wire, about 1" in length and
    rumored to be about .012" in diameter.  Since I don't own calipers, I couldn't
    verify this.
    
    The spring is held in place only by its springiness.  Each end fits into a
    slot and the middle is bowed down an under a notch in the plastic rack gear.
    
    What you want to do is add a *second* spring wire.  You should not need to
    remove the original spring wire.  I found a suitable wire in a 5.25" floppy
    drive I had laying around.  I removed the wire from the floppy drive and
    straightened out a couple of bends that were in it and ended up with a
    straight piece of springy wire about 1.25" long, which is longer than the
    spring in the CD-R drive.  You want it longer for now because it is easier to
    install it that way.  It will be cut to length later.  Use the two pairs of
    needle nose pliers to straighten the spring wire.
    
    With your finger, rotate the worm gear on the shaft of the motor to move the
    transport carriage so that the center of the spring is under the center of the
    regular gear.  You should be able to see the notches that hold both end of the
    spring now.
    
    Lay your new spring on top of these notches.  Using the blade of a small
    screwdriver perpendicular to the length of the spring, press the spring down
    in the middle until it is underneath the slot in the black rack gear.  This
    bows the spring about 1/8" in the middle.  The spring should now be in place.
    
    Using your smallest dikes, cut the ends of the spring wire off so that they
    are the proper length.  Wear eye protection when doing this, and if possible
    grasp the end being cut off with needle nose pliers so that the wire won't fly
    around the room or worse into the drive mechanism.
    
    With the drive still opened up, use a can of compressed air to blow off the
    dust on the laser lens.  DO NOT touch the laser lens as it is magnetically
    floating in its holder.
    
    Now, reassemble the drive by reversing the disassembly instructions.
    
    


    Chapter 4) LaserDisc Players

    
    


      4.1) Considerations when troubleshooting LaserDisc (LD) players

    
    CD and LD players share much of the same optical technology.  Many models
    will play normal audio CDs as well as LDs.  If this is the case, start by
    determining if a CD will play properly.  If it does, then you can be fairly
    sure that most of the optics and front-end electronics are functional.
    
    Modern LD players use the same 780 nm laser diodes as CD players.  Really
    old players used helium neon (HeNe) gas lasers resulting in a visible beam
    at 632.8 nm (orange-red).  CAUTION: these use a high voltage power supply.
    Contact with this probably won't hurt you but will not be pleasant.  The
    high voltage terminals are probably well insulated but it is a good idea to
    locate them and double check.
    
    Since most LD players also play CDs (and possibly multiple size LDs as well),
    there will be optical sensors - LED-photodiode pairs aimed at the disc from
    one or more locations beneath the drawer assembly.  If you have the top off
    for servicing, room lighting may confuse these sensors resulting in all sorts
    of strange behavior such as attempting to play a CD using the LD spindle!
    Cover the entire unit with a piece of cardboard or just the holes in the
    drawer with matt black paper to eliminate the possibility of both electronic
    and human confusion!
    
    LD players will generally have one additional servo system compared to CD
    players - tilt.  This adjusts the angle of the pickup with respect to the
    disc to minimize interference between adjacent tracks.  This would result in
    degradation of the analog video signal.  The tilt servo is usually pretty
    simple using an IR LED emitter and a pair of IR photodiodes detecting the
    reflection from the laserdisc.  If after  manually rotating the tilt motor
    away from the balanced position, the tilt readjusts itself, there is a good
    chance this it is operating correctly.  There is probably a tilt balance
    adjustment as well but don't touch it unless you have the service manual
    if possible.
    
    Spindle motors in LD players are of much higher quality than typical CD
    players since the spindle must spin continuously at thousands of rpm with
    the greater mass of the LD as well.  Other motors may be similar to those
    in CD players.  Some LD players have two spindles that are selected and
    moved into position depending on the type of disk being played.
    
    Due to the mass of LDs, the clamper is even more critical to proper behavior
    than for CDs.  Any slippage and LDs may fail to be recognized.
    
    There may still be rubber belts that degrade :-).
    
    Naturally, a video monitor makes an excellent diagnostic tool once it is
    possible to obtain some output from the LD player.  A service manual is
    almost a must for serious troubleshooting.
    
    


      4.2) LaserDisc optical alignment?

    
    As noted elsewhere, optics don't generally drift except from abuse.
    
    The following is a further confirmation that optical alignment should not be
    needed under normal conditions:
    
    (From: Dave A. Wreski (dawreski@nic.com)).
    
    I have been servicing these since they came out. The *only* time I had
    to do any optical alignments is when some fool decided to mess with the
    alignments. They do not misalign themselves.  In the past the only adjustment
    we had to do (on Pioneer Laserdisc players) is the 1/4 wave plate which
    can be done with a scope. All other alignments must be done with a Laser
    power meter and a polarization adjustment jig from Pioneer. Many dollars!
    
    If the optics are clean and haven't been maladjusted, your unit is suppose 
    to work. If not, look elsewhere in the electrical alignments or motor problems.
    
    


      4.3) Replacement for helium neon power supply components

    
    Older LaserDisc equipment used a helium neon laser instead of a laser diode.
    These require a high voltage power supply which can fail.  Obtaining an exact
    replacement is probably virtually impossible today and too costly in any case.
    
    However, it should be possible to substitute a surplus HeNe tube power supply.
    These can be had for as little as $25 from various mail order sources.  I
    don't know if LaserDisc players do anything special with optical feedback or
    anything like that but if it is just a power supply, this may be an easy and
    inexpensive alternative.
    
    


      4.4) Kenwood LaserDisc clamping problems

    
    With the larger mass of a LaserDisc compared to a CD, clamping is even more
    critical.  Slipping belts are a common cause of clamping problems.
    
    (From: dwb@rell.com).
    
    I had a problem with my Kenwood machine not locking the disc in place
    correctly.  The drive belt was slipping to bad (couldn't hear it though).
    The replacement was a NEW mechanism that regeared the assembly for slower
    feed but more more clamping force.
    
    


      4.5) Philips Laser disk problems and discussion

    
    "A friend of mine has a Phillips Laserdisc player that is acting up. What it
     does is the player will just stop playing in the middle of the movie, usually
     in the same spot."
    
    (From: Douglas W. Jefferys (dougj@freenet.hamilton.on.ca)).
    
    How old is the player?  I've worked on the Philips 22VP931 and seen similar
    things.  This is an ancient (ca. 1982) industrial player with a tendency for
    the radial and tangential mirrors to jam in their servos.  (The glue that
    holds the magnets behind the mirrors weakens with age.  If a magnet detaches,
    the mirror jams solid, but the magnets can also migrate outwards and cause
    sticky behavior).
    
    If it's an older player, it's *possible* that it's in the early stages of the
    same failure mode.  (That said, all the 22VP931s I've seen that have this
    failure have had *solid* jams on at least one of the mirrors, so I think it's
    an all-or-nothing thing.)
    
    Anyways, after fixing the servos (a nightmare - it's a good thing I had help
    from a knowledgeable source about what to expect when I went into the guts of
    the thing :-), I did an eyeball alignment (power *OFF*, machine unplugged, a
    double-check that the power is off and the machine unplugged, and look down
    through the objective and see if you can see down the entire beam path) and
    got the same results you did.  Worked fine on the early portion of the disk,
    but slowly screws up later on.  High-speed seeks worked marginally early on,
    and not at all on later portions of the disk.
    
    An examination of the player while playing showed that one of the mirrors was
    near the limit of its range of movement at the point when the video started
    freezing up.
    
    NOTE: I'd strongly recommend *against* looking at the mirrors in operation
    unless it's either a visible-beam system or you have goggles opaque to the
    laser's frequency.  I was willing to be somewhat stupid because it was a
    visible-beam system, and I still used a piece of paper to ensure my head was
    nowhere near the areas where bits of beam were leaking from the player.  I
    wouldn't have even fantasized about attempting this with an IR beam.
    
    About three hours and umpteen incremental adjustments of the optical head's
    alignment screws (which I had to remove and thereby misalign when fixing the
    servos), and the thing was working fine.
    
    Summary:
    
    1. Check to ensure the tangential/radial mirrors move freely.
    
    2. Check optical alignment on early portion of disk and 'stuck' portion of
       disk.  Preferably with an optical alignment tool, but if you've got goggles
       or a visible-beam system and more balls than brains, you can *carefully*
       look at the mirrors when the disk is playing and use that as a guess as to
       which way to tweak the mirrors.
    
    One final note: Some of the alignment things can be "one-way" adjustments, and
    anything on the optical path is vulnerable to scratches.  I'd strongly advise
    trying to find the service manual before attempting any modifications.
    
    If you have contacts with professional fixers, I'd also suggest you bounce
    your ideas off of them before proceeding.  When hacking LD players, you're
    always one mistake away from owning a very expensive pile of spare parts.
    
    


      4.6) Pioneer Laserdisc RS-232 commands

    
    (From: Jim Jackson (jim@aviendha.demon.co.uk)).
    
    Here is a list of commands I have for controlling Pioneer players via the
    RS-232C jack.  Hope it helps.  I have also heard that there is supposedly a MCI
    driver for Windows but I haven't personally  seen it.  I tried these codes
    on a Pioneer machine I have at work using the Windows terminal program and
    was able to control the player.  This file is from a public domain file for
    the amiga.  I think I also have a C program (also for the amiga) somewhere
    if you need it.
    
    Communication protocol:
    
     * Computer activates CTS (pin 5) of rs-232 port, (amiga 7-line handshake).
    
     * Then sends a command sequence and expects 'R' and carriage return (CR).
    
     * ASCII digits used for addresses, etc. Returns frame# as ASCII digits.
    
     * Player is string oriented and reverse-polish (arg then verb).
    
    COMMANDS        CHARS    HEX     DECIMAL              COMMENT
    ----------------------------------------------------------------------------
    
    Door Open       OP                                  open the door
    Reject          RJ                                  stop disc rotation
    Start           SA                                  start disc rotation
    Play            PL                                  (address)PL
    Pause           PA
    Still           ST                                  still frame
    Step Forward    SF
    Step Reverse    SR
    Scan Forward    NF
    Scan Reverse    NR
    MultiSpeed FWD  MF                                  (address)MF
    MultiSpeed REV  MR                                  (address)MR
    Speed           SP                                  integer SP
    Search          SE                                  address SE
    Stop Marker     SM                                  address SM
    Frame           FR                                  set frame mode
    Time            TM                                  set time code mode
    Chapter         CH                                  set chapter mode
    Audio Control   AD                                  integer AD 
    0=off,1=Ch1,2=Ch2,3=stereo
    Video Control   VD                                  integer VD  0=off,1=on
    Display Control DS                                  integer DS  0=off,1=on
    Clear           CL                                  clear entry or mode
    Frame #         ?F                                  get frame number
    Time code #     ?T                                  get time code number
    Chapter #       ?C                                  get chapter number
    Player active?  ?P                                  P00=door
    open,P01=park,P05=still
    Disc status     ?D                                  5 bytes and CR returned
    (and a few others....)
    
    SERIAL PORT CONNECTION:
    
      Computer     Player
     ----------   --------
       TxD 2       3 RxD
       RxD 3       2 TxD
       CTS 5       4 DTR
       GND 7       1 GND
    
    For more info on your type of Pioneer player:
    
        Pioneer Communications of America, Inc.
        Engineering and Technical Support Deptment
        Sherbrooke Office Center
        600 East Crescent Avenue
        Upper Saddle River, NJ 07458-1827
    
    


      4.7) Pioneer LaserDisc player test program

    
    From: Colin Kraft (ckraft@airmail.net)).
     
    I have just found a RS-232 test program for all Pioneer LaserDisc players on
    Pioneer's web page.  The URL is:
    
    * http://www.pioneerusa.com/drivers.html
    
    It's called testprog.exe and it's quite impressive and handles just about
    every Pioneer player that has the RS-232 port.   It also comes with a nice
    doc file that cover dip settings for various players and more.
    
    I tried it with my newly acquired LDV4200 and found that it did not work.
    Right now I am fearing that my player has a problem with the control port.
    The data seems to be coming through the cable as I get a flashing logic probe
    when I hook it up but the player does not respond.
    
    I'm not sure about the codes as they are not covered in the otherwise
    excellent doc file (they always leave something out it seems).
    However, I think you can get codes for your player through Pioneer.
    
    


      4.8) Comments on Pioneer 8210

    
    (Portions from: Dave A. Wreski (dawreski@nic.com)).
    
    The 8210 service manual is 120 pages long. This is not an easy unit to work
    on.  It is the very first industrial video disk player that Pioneer made.  All
    of the GM dealers had them when they first came out and I have seen them for
    sale in most flee markets for around $50.00.
    
    These are built like a tank and use a HeNe laser tube and a bunch of discrete
    optics that are very hard to align properly without the manual.
    
    


      4.9) Pioneer '90' series LaserDisc player doesn't play older LDs

    
    "Check those discs you are playing. My 1090 won't play some older Image
     Discs including my (BOO HOO!) Bride Of Re-Animator disc."
    
    (From: Steven B (lasers@netrus.net)).
    
    The 90 series of laser player had a fault that was fixed by Pioneer at no
    cost. It also caused a whole new series designation. Call Pioneer!
    
    


      4.10) Pioneer CD/LD Player Model CLD-S104 with shorted power supply

    
    (From Mark Z. (zmachar780@aol.com)).
    
    Your Pioneer LD has a shorted protective device, a V1B24 or similar. Looks
    like a diode and is located near the main AC input to the board. Clip it
    out, replace the fuse, and normal operation will resume. You STILL NEED to
    replace it; it protects some very expensive chips. Get the reference
    number off the board and call Pioneer at 800-457-2881.
    
    


      4.11) Pioneer 503 LD player sled slews to one end after service

    
    (From: illusion@pqc.com).
    
    I have seen that before. The Sled runs on a differential op-amp.  This uses
    +15V and -15V.  One of these supplies is out. There are two fuses in power
    supply for this.  Most likely u blew one when changing spindle motor. This
    will throw loading motor and sled motor, and maybe even the tilt motor (if it
    isn't also the loading motor) into overdrive in 1 direction.  Loss of either
    supply will shift the differential one way.
    
    Pioneer CLD-D701 tray locking problem?
    -------------------------------------
    
    "I've owned a Pioneer 701 laserdisc player for many years. Other than its
     tendency to drift out of alignment slowly and steadily over the years, it has
     been a good LD player. However, within the last year the tray has developed a
     strange problem. Each time I turn the 701 on and press the eject button to
     load a LD it takes about 6 seconds of gear grinding before the tray finally
     decides to come out. Just a couple of years ago the response was almost
     immediate. 
    
     Once the tray has finally opened, thereafter it behaves normally and responds
     immediately for as long as the player is left on. Even if it's turned off
     briefly and back on, the tray behaves OK. However, if I wait to the next day
     the tray goes back to its nearly 6 second wait again.
    
    There appear to be several opinions as to the cause
    
    First suggests it is a sticky rubber problem:
    
    (From: Jeff Boettler (boettler@us.ibm.com)).
    
    Eject the LD drawer and disconnect from the mains. Then remove the cover. On
    the 2950 there is a mechanism that clamps the disc that is suspended by metal
    bars running over the top of the drawer.  Remove this, around four screws and
    locate the motor.  There will be a rubber mat that grabs the disc. Clean this
    with meths and nothing else. Allow to dry and reassemble.
    
    Apparently this problem is accelerated by dirty labels on the LD and BBFC
    logos that have been removed, which leave a nasty deposit that rubs off on the
    mat.
    
    (From: Bruce Esquibel (bje@ripco.com)).
    
    I somewhat have a clue - but haven't came up with a 100% fix yet.
    
    The trouble appears to be the upper 'track' that hub/laser assembly uses
    when it returns from the side 2 position.
    
    This track floats within the metal sleeve on the upper left hand side as you
    look at the player from the rear (front away from you). It appears the last
    inch or so is warped or slightly deformed, probably because of age. 
    
    If you examine the construction the track is pulled upward via a pair of
    springs and held in by a couple L-tabs or ears from the track. When the
    laser is returning from side 2 to stop you can see the track slightly move
    as the motor on the hub assembly runs on it.
    
    When it just about hits the end, that is when the grinding noise is heard,
    the gear on the shaft of the motor is spinning, but not meshing with that
    part of the track. It appears that after so much time the player detects the
    error and starts 'slapping' the hub around and eventually it grabs and does
    its flip.
    
    Odd part about this is that even the slightest pressure on either the track
    or hub will allow it to cycle without missing a beat.
    
    What I did, which reduced the grinding, but did not fix the trouble
    completely was to modify the rear spring to be tighter by carefully cutting
    the loop off and unwinding one turn, making into another loop. I suppose you
    can find another similar spring which has less turns also. The other bit
    that helped was kind of cheesy, the rear L-tab from the track seemed to have
    too much play when the motor ran near it. All I did was stick a small piece
    of electrical tape under it, on the metal housing which also tightened the
    track.
    
    I'm pretty sure the track itself is the problem, but it looks like a
    son-of-a-bitch to replace, even if it is a replaceable part. Another
    possibility is the gear on the motor shaft getting worn down but being the
    problem is only at that one end, I really don't think so.
    
    If you aren't into repair (just a joe consumer), I really don't recommend
    trying either the spring mod or tape bit, the spring can be easily malformed
    or the L-tab can break off, which either happening will put you in a world
    of hurt.
    
    All I can add is don't bother greasing the track, was the first thing I
    tried and it didn't help a bit. Also there was no indication of it needing
    lubrication anyway. This is a tolerance issue between the gear and track.
    
    The grinding noise, although sounding nasty, isn't really. It's not chewing
    up anything and I didn't even notice nylon dust around the area where the
    teeth are grinding. It's more of an annoyance problem than a major
    malfunction.
    
    


      4.12) Pioneer LD-3090 turn over problem

    
    (From: Kurtis Bahr (kbahr@erols.com)).
    
    I once fixed a 3090
    that had a problem when stopping the LD and the pickup tried to turn
    back over to side A.  It actually made a grinding sound for awhile then
    finally grabbed into the turning assembly and turned over.
    
    The fix was to lubricate the metal guide shaft where it transfers from
    the playing shaft to the shaft on the turn mechanism.  After this was
    done it has worked flawlessly.
    
    


      4.13) Sony LDP-1450 problems and discussion

    
    "I'm the proud owner of a very confused LDP-1450 from a Mad Dog McRee machine.
     It's got six option DIP switches, all are "off" (down), and>it's set for 1200
     baud."
    
    (From: Ruben Panossian (malcor@ozemail.com.au)).
    
    The Extended Function dip switches are for just that, extended functions,
    which change certain characteristics of the player's operation. There are only
    three extended functions, using switches 1, 2, and 4 only. The other DIP
    switches are not used. Factory default is for all of the DIP switches to be
    set in the "off" position.
    
    The baud rate setting would not matter if you have nothing connected to the
    interface. BTW, it should be set for 9600 for ALG games.
    
    "Power-Up:  Disc rotates 10-30 degrees in random directions, changing 
     directions erratically every half-second or so, and the head makes a weird
     squeaking sound periodically as it tries to seek (maybe it's making physical
     contact with the disc??)"
    
    The objective is unable to find focus when this occurs. (usually) The disc
    will not spin-up to speed, rather, a slower turn and often in reverse. To
    determine if the player is finding focus you will need to get access to the
    lower PCB's.  Turn the player on its *side* and remove the bottom cover. (Do
    *not* try to eject the disc in this position!) This is the servicing position.
    
    The large board you will see, behind the lower cover, is called MB-40.  You
    will need to pull this board out a bit so you can work on it.  Locate IC313,
    it is an HA11529. This IC controls the focus (coils), tracking (coils) and
    communicates to the main system control.
    
    Looking at the schematics, you can see that pin 36 of IC313 drives the focus
    coils. Pin 26 of IC313 is an output to the system control, which signals when
    focus is locked. By using a CRO, connect one channel to pin 26 and the other
    to pin 36. Adjust the display so that you can see the two signal but not on
    top of each other. You will need a CRO (or DSO, whatever) as the signals are
    about 3Vpp.
    
    Turn on the LD player (with a disc already loaded) and watch the signals.
    (the disc should be moving and sounds from the player) You should get a
    ramping (triangular) signal on pin 36 for a moment then a steady line (0V),
    indicating that focus has occurred. The signal on pin 26 (focus lock) is high,
    when focus is not locked, and low when locked. When the focus is locked the
    player should spin-up and go in to playback mode.
    
    Now, if you are finding that focus locks then searches then locks, in a
    peculiar way then you will have to do some more checking to determine the
    problem. This can be caused by many things.
    
    If focus is not locking and the signal on pin 36 is a constant triangular wave
    then the problem is more than likely in the optical block or the laser not
    turning on.
    
    Check to see if the objective is free.  Next, check the continuity of the
    focus coils from the connector on the MB-40 board.
    
    You can check if the laser diode is turning on by checking the test point
    TP302 on the MB-40 board. It is located near IC312 which is a three pin -5V
    voltage regulator. When there is -5V on this test point the laser should be
    on. If there is no -5V there then check for -8 to -10V on R334 (any side) If
    there is no voltage there then there is a voltage rail supply problem. (like
    you hadn't guessed)
    
    If there is around -10V, then check the base on Q314. This is the right pin if
    the flat side is facing you, the right way around. It should have 0V on it to
    turn the laser on.  Hmm... I will try again.  One pin is connected to the +5V
    rail (collector), another pin, the emitter, drives the base of Q313 (which
    then supplies -10V to IC312) which should have +5V on it when the remaining
    pin (base) is at 0V.  The base is connected to the LD "ON" or LD "OFF"
    signal. It is an active low signal, so a low signal will turn "on" transistor
    Q314 and in turn eventually turn on the laser diode. The laser diode also has
    an APC which complicates things, but don't worry about that at the moment.
    
    If the of base of Q314 is 0V and the collector is +5V then the emitter should
    have almost +5V on it. If not then the transistor must be real hot or dead. If
    it is hot, Q313 would be faulty. BTW, this transistor, Q314, is a pre-biased
    "digital" transistor. It is either fully on or off.
    
    I had a laser power problem like this, on a player out of a TT, which I had
    previously repaired. This time it turned out that the laser was not turning on
    all the time. Some times it would be ok for a couple of hours then it wouldn't
    work properly. By the time I had taken the covers off it was OK again. (Grrrr)
    
    To make a long and frustrating story short, I found that the laser wasn't
    being turned on when it should all the time. Turned out to be a bad connection
    on IC902, which is a 80 pin quad flat pack (SMD) and *only* pin 31 had a poor
    connection. This pin controls the laser diode "on" and "off" signal. I think I
    may have caused this poor connection when I was poking around previously.
    
    Also be careful when probing around a SMD like IC902. If you inadvertently
    short out a couple of pins, the slide motor may move (turbo) the optical block
    towards the spindle and not stop, causing a nice gear jumping noise that
    brings on a sudden panic attack.  Which may cause you to knock over your LD
    player while trying to find the "OFF" button while still holding a cro probe.
    Although, I wouldn't admit to doing such a stupid thing, especially publicly.
    :-)
    
    Now, back to IC 313 on the M-40 PCB.
    
    If you are not getting a triangular wave or steady line on pin 36, but a wavy
    (sinus) signal then check the soldered joints on pins 38, 41 on IC313 and on
    R384, R382, R381, C337, C338. These are for phase compensation for the focus
    coil. If the signal looks strange on pin 36 of IC313 or the laser is turned on
    and IC313 is not working then IC313 or the serial control input signals may be
    your problem. I have only seen a couple of poor soldered connections on these,
    otherwise A+, players but you never know...
    
    If you find that focus is locking in say 10ms intervals (on and off) then the
    problem may be in the focus loop, which is initiated right when focus is
    locked. This loop controls the current supplied to the focus coil to maintain
    a constant current which is proportional to the focus error, so the focal
    point is maintained as the disc turns. Keep in mind that the focal length is
    not constant, as the disc is rotating.
    
    Or the problem could get interesting. In other words, *could* end-up being a
    "dog" of a problem, unless you have a manual. Either way a manual is
    essential. If you can read and understand the circuit diagrams then you
    shouldn't have any problems, other than the faults that were devised in hell.
    
    "Self Test:  Removing the front cover revealed a "self test" jumper.  Shorting
     the two pins together forced the player to spin up.  The player correctly
     displays video for a few seconds (overlaid on the video is a frame number
     of approximately 7000), but quality, which starts off great, deteriorates
     rapidly, and the player then jumps back 100 frames or so and repeats the
     cycle.  The words "NTSC 12" appear underneath the frame number whenever the
     self test jumper is shorted.
    
     The frames played are identical for any given disc.  Mad Dog McRee gave 
     me 7000ish, and Star Rider gave me 6900ish.  
    
     When the player is in this mode, pressing the eject button causes the 
     video to mute and the player to spin down.  When the disc has stopped
     rotating, a further press of the eject button will eject the disc 
     correctly, and a further pressing will reload the player."
    
    Yes, this is normal. Even if the focus error is greater than it's cut-off
    point the player will spin-up and try to display video. How good the video is
    will depend on how great the focus error is, I guess.  I have done this
    myself, however, have found the video to be very jumpy and poor if any at
    all. When the focus error gets to it's cut-off point it re-initiates focus
    search..
    
    If the video is clear and stable then your problem sounds like it is not with
    the optical block, focus, etc. (with the test jumper closed)
    
    The test jumper you found is *only* meant for adjusting the "inner" and
    "outer" frame limits for the disc sizes, hence the displayed frame numbers.
    
    "Theories:
    
     1. The player works but is still configured for a video game; it has to have
        something useful coming in on the RS-232 port in order for it to work."
    
    No. There were different LDP1450 software revisions though.
    
    With the Extended Function Dip switches all set to the "off" position the
    player will "spin-up" a disc and go to playback mode, when a disc is loaded.
    
    "2. This might be changeable (or I might get a different set of diagnostic
        information) if I knew what to do with the six option DIP switches."
    
    Yes and no.  This is not your problem, though,.
    
    "3. The player is malfunctioning, probably something to do with alignment of
        the slide on which the optical head moves, and this accounts for the weird
        looping behavior I get in the self-test mode."
    
    Possible and no.
    
    "Questions:
    
     1. Am I doing something boneheaded?  
    
    No, considering the lack of information you have for this player.  You could
    have done worse...by poking around IC902.  I don't think that you will get
    very far without a service manual.  The Sony service manual is relatively
    expensive, however, it is essential, It is also well detailed and clear,
    unlike some early player manuals.
     
    "2. Anyone know where I can get a service manual?"
    
    Yes, from Sony :-).  Because it is not a real old LD player, they will have
    the manual.
    
    "3. I have yet to hook it up to a computer.  I have a utility that purports to
        be able to talk to an LD player; would this help, or should I concentrate
        on getting it to work correctly in stand-alone mode before trying to talk
        to it?"
    
    This wouldn't help you with repairing the player, rather the opposite.
    
    Also, I forgot to mention one of the first things you should check for. Check
    the power supply voltages. Obviously +5V is ok. You should have an idea of
    which voltages are ok by what is working in the player as a start,
    anyway. There are around 10 voltage supplies or more including at least 5
    different voltage rails.
    
    Disclaimer:
    
    If anyone goes blind, destroys their LD player, decapitates their dog Fluffy,
    etc, by following my suggestions , it is not my fault. Only work on a LD
    player if you have an idea of what you are doing and understand what the
    dangers are. i.e., take blame for your own actions.
    
    


    Chapter 5) MiniDisc Equipment

    
    


      5.1) Sony MiniDisk player/recorder considerations

    
    The Sony MiniDisk system was supposed to replace cassette tape as the preferred
    medium for portable music (and data).  Yeh, well, I am not holding my breath
    but it may yet come to pass.  The disks are about 2-1/2 inches in diameter and
    enclosed in a protective case like a 1.44 MB diskette.  Thus, dirty disks, at
    least, should not be much of a problem.  A MiniDisk (MD) holds approximately
    1/5th as much raw data as a full size CD.  Compression techniques are used to
    achieve the same maximum time for audio - about 74 minutes - supposedly with
    negligible loss in audio quality.  (I won't get into that argument either).
    
    For playback of prerecorded discs, the optics and servo systems are operating
    in modes which are very similar to those in CD players and thus suffer from
    most of the afflictions and remedies described elsewhere in this document.
    The digital decoding and error correction including an advanced form of the
    CIRC may be substantially more sophisticated for MD players and MD data drives
    (if you can imagine that being possible) but the circuitry involved should be
    very reliable.
    
    However, for playback of MiniDisks recorded on MO (magneto-optical) media,
    there can be many other problems as the optics/electronics are sensing the
    different polarization of reflected light from the N and S magnetized spots
    rather than pits and lands.  The signal-to-noise ratio of the MO effect may
    be lower than that of a stamped disc.  Thus, prerecorded media with the normal
    pits and lands on the information layer may work fine but MO media may suffer
    from tracking, audio noise, or uncorrectable data errors.  Servo adjustments
    for tracking and CLV spindle control may be even more critical than for CD
    players.
    
    Note that some MDs may include both prerecorded (stamped) and MO sections
    so that it is possible that only certain portions of these disks will play
    reliably.
    
    MiniDisk recording requires that the laser diode be operated at higher power
    (around 4.5 mW optical output compared with less than 1 mW for reading) and
    that an electromagnetic head in contact with the back of the MD is driven with
    the EFM coded data pattern.  This is not really a write head such as that used
    in a computer disk drive - the laser beam does the actual writing by heating
    the MO layer but the magnetic field determines the polarity (e.g., 1 or 0, N
    or S) of the written spots.  Therefore, the actual position of the head is not
    critical - there is no servo for it!  Note that this approach contrasts with
    that used in many other MO drives where the laser power is modulated to write
    1s and 0s.  The 'Magnetic Field Modulation' approach used with the MiniDisk
    claims many advantages in terms of robustness when confronted with less than
    perfect optical alignment and control of laser power, among others.
    
    CLV servo lock during recording is determined by a signal derived be impressing
    a reference modulation (wiggle) on the premastered groove wall position - yet
    another possible area for failure or need for servo adjustments!
    
    CAUTION: the higher power laser output required for recording is substantially
    more hazardous than that of CD players.  However, since under normal conditions
    even with the case disassembled, the disk and electromagnet will be blocking
    the lens, there is little danger.  However, if you remove the electromagnet
    and there is no disk in place, this optical power must be treated with respect.
    
    


      5.2) Sony MDS 302 Minidisc optical blocks

    
    This likely pertains to other Sony models as well.
    
    (From: Shawn (slin01@mail.orion.org)).
    
    These is a very common problem with Sony MD/CD players. I'll bet it is
    skipping and/or ruining your recordable MD's, right?  It causes far more
    "disasters" with MD because an MD deck that has trouble reading a recordable
    MD will think it is corrupt and try to write a new TOC, which can ruin the
    contents of the disc!  When this occurs, press the STOP button until the "TOC"
    indicator disappears (may take up to 10 seconds) and eject your disc, it will
    come out unharmed.
    
    Anyhow, on to the optical block problems.  I will bet your MDS302 will work
    fine if turned on its side or upside-down.  I have seen this problem many
    times with Sony MD/CD equipment.  I have MD players from Sharp which are much
    older and have suffered great abuses (like being run over by a car) which
    don't suffer this problem.
    
    My only guess is that it's either a problem with the lens suspension or the
    focusing coil.  It is definitely a problem with the focusing system in the
    optical block because: A) replacing the block fixes the problem B) sometimes
    adjusting Focus Bias on the deck will compensate and reduce or eliminate the
    problem. C) I have fooled around under the cover of the optical block and have
    experimented using pieces of tape to suspend the lens suspension.  I suspect
    this compensates for either a poorly functioning suspension or a screwy focus
    coil.  I have been able to regain 100% perfect operation using this fudge-fix
    method!
    
    Unfortunately, to fix this problem properly, you will need the new optical
    block.  We can only hope that Sony will correct this problem!  BTW, you could
    always use your deck upside-down or sideways. :(
    
    


    Chapter 6) DVD Equipment

    
    


      6.1) CD and DVD support on same drive

    
    Digital Versatile (or Video) Disc players should be hitting the streets 
    by now or at least very soon.  What this means is that DVD players will 
    need repair just like CD players.
    
    While much of the basic construction of CD and DVD players is similar,
    in order for a single player to work with both CDs and DVDs requires some
    fancy footwork to avoid the costs of dual laser pickups.  This comes about
    from the change in the laser wavelength (780 nm for CDs, 632 nm for DVDs)
    and thickness of the disc (1.2 mm for CDs, .6 mm for DVDs).  This requires
    differences in the optics to produce the proper spot size and readback
    image on the photodiode array.
    
    (From: Bill Studenmund (wrstuden@macro.stanford.edu)).
    
    I saw an overview in a journal on what they're doing, and it's
    pretty cool. They have a variable aperture in the beam (maybe it's on
    a hinge and snaps into the beam path?). In one setting, the beam is the
    right diameter to fill an inner area of the objective, and focuses
    to a spot the right diameter for reading normal CD's. The spot has
    correction for the spherical aberration from 1.2 mm of disk.
    
    When the aperture is not in the beam, it fills the full aperture of the
    lens. There's a holographic grating on the lens so the the combination of
    the inner and outer areas is diffraction limited for 635 and compensates
    for 0.6 mm of disk.
    
    Though the signal to noise ratio will be lower as the 1/4 wavelength's a bit
    off, I doubt it'll be a problem. The electronics have gotten so good that
    they can read a disk w/o metal backing! That's how the Sony dual-layer disk
    technique works. There are two surfaces with data, and the one in the disk has
    no aluminum backing. They get enough S/N to read that layer. It's about 50 um
    above the "normal" layer, so not much of a defocus.
    
    


      6.2) Could DVD discs be made with compatible CD tracks?

    
    CDs are 1.2 mm thick.  DVDs consist of two bonded .6 mm substrates.  In
    principle, the DVD layer could be made partially transparent permitting a
    CD player's laser beam to focus through it to some tracks of CD information
    pressed in their normal position 1.2 mm from the bottom surface.
    
    As a practical matter, it is very unlikely that any existing CD player could
    be made to work with such a scheme.  It would be like viewing the pits through
    a frosted plastic screen - theoretically possible but substantially reducing
    the signal to noise ratio.  Furthermore, the CD focus servo would very likely
    lock onto the DVD rather than the CD layer as it goes through its focus search
    routine.
    
    It might be possible to design such a CD player but why would anyone want
    one?  By the time this matters, DVD players will either be mainstream (CD-only
    players may not even be available any more) or will have been superseded by
    something even more wonderful.  Why would you pay a premium for a DVD pressing
    and then only want to play portions of it on a CD player anyhow?
    
    


    Chapter 7) WORM Drives

    
    


      7.1) WORM drive Laser Diodes

    
    (From: Alan Shinn (alshinn@sirius.com)).
    
    Well, I bought a few of those WORM drives I wrote about. The LD puts out
    at 30mW at 110mA, As measured by using it to heat up a surface mount
    transistor hooked up as a thermometer with a surface mount resistor glued
    onto it for calibration.. I wish I had gotten more. Not that I know what I
    will do with them (the LDs) The drives also have several rare earth
    magnets so they were quite a fun deal.
    
    


    Chapter 8) CD-R Equipment

    
    


      8.1) Differences between CD and CD-R media

    
    (From: Michael Portmann (mikep@adelaide.on.net)).
    
    I have a flyer on Mitsui CD-R media. I quote from this:
    
    The difference between a CD-R and a CD-ROM lies in the structural layers
    between the polycarbonate substrate and the protective lacquer surface that
    both discs possess.
    
    The CD-R has one long groove stamped in the polycarbonate substrate to guide
    the laser. This groove is covered with an organic dye lyer, which, when written
    upon by the heat of a higher powered laser light from the recorder, will deform
    to produce the 'pits' and 'lands' of information. The dye is protected by a
    non-corrosive, highly reflective thin layer of gold. One the CD-R layer is
    recorded, the deformations in the dye become permanent.
    
    The Mitsui gold CD uses a patented Phthalocyanine Dye & Data shield surface.
    
    They then go on to mention how unlike Cyanine based CD-R, theirs shows less
    degeneration from continuous exposure to light and heat.
    
    


    Written by Samuel M. Goldwasser. | [mailto]. The most recent version is available on the WWW server http://www.repairfaq.org/ [Copyright] [Disclaimer]